Nay standing by a juniper tree in the Lebanese mountains, where she collects stones for 7ajra

Behind Every 7ajra Piece: From Stone to Jewelry

Every piece of 7ajra starts the same way: not at a workbench, but outdoors.

Most of the stones and sea glass I use are found, not bought. Along the Lebanese coast, after the tide pulls back, it leaves behind small things shaped by years of water and wind. A piece of glass worn soft at the edges. A stone that's been tumbled smooth. Most people walk right past them. I stop.

Beach scene with pebbles, Lebanese sea, and a book. Raw stone collection handmade jewlry.

It's not only the coast. Some stones come from Lebanon's mountains too; carried down by rivers, or simply waiting on a trail, shaped by a different kind of time.

Whether I'm swimming, hiking, or climbing, the search is part of the work. The piece doesn't begin when I sit down at the bench, it begins the moment a stone catches my eye.

Rocky mountain landscape with raw stones collected by 7ajra.

That's really where 7ajra began: with one stone that felt like it was asking to become something. The name itself means "stone" in Arabic, and it felt right, because the stone always comes first here.

I don't design a piece and then go looking for a matching stone.
I let the stone tell me what it wants to be.

Two ways I work

Once a stone earns its place in my studio, it goes one of two directions.

atelier where the stories are being shaped - handmade jewelry

Some pieces I wire-wrap by hand: the raw stone left completely untouched, just held in place by careful winding of wire. Nothing about its natural shape changes. This is slower, more delicate work, and it means no two wire-wrapped pieces are ever quite the same.

Other pieces I cast in sterling silver using the lost wax method: an old technique where a wax model is shaped, then replaced with molten silver. It lets me create more structured designs while still keeping the stone or sea glass as the heart of the piece.

Not every stone makes the cut. The ones that don't feel right go back to nature, exactly where I found them.

Why it matters that it's handmade

A machine can't tell you which stone is the right one. That part takes time, attention, and a bit of instinct; picking up dozens of stones and putting most of them back down, until one feels like it belongs.

So when you wear a 7ajra piece, you're not just wearing jewelry. You're wearing a small piece of the Lebanese landscape, shaped by nature first, and by my hands second.

See the process in photos on Instagram @7.a.j.r.a 

To nature & its beauty,
Nay

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